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Snake Lore in Conjure and Hoodoo

by Denise Alvarado

Snakes are a common subject in the realm of hoodoo and folk magic. Their uses range the gamut from good luck to retribution, and the omens assigned to them as equally as varied. For example, to produce rain in times of drought, a snake that has been killed is hung on a fence belly up. This practice is believed to bring rain within 24 hours. To stop rain, a snake is killed and not turned over.  Catching a snake at the end of a fishing line is said to indicate enemies are attempting to ensnare and kill you.

Snake sheds have multiple uses in Louisiana hoodoo and folk magic. For example, rubbing a snake shed in your hand will prevent a person from dropping and breaking dishes in the kitchen. Adding snake sheds to a mojo hand will bring a person good luck.

In addition to snake sheds, other parts of the snake are also used in conjure. Many of these beliefs concern the black snake, a term which describes several common species of snakes found in Louisiana.  An old belief to cause a person to gain courage entails swallowing the heart of a black snake. The fresh blood of a black snake combined with whiskey will  enable a person to have great endurance and perseverance. The skin of a black snake worn about the waist, leg, or body is said to make a person strong and supple.

Lore tells us that a black snake can be killed by simply making a crossmark (this results in someone else killing the snake). The snake's back can be broken by making a crossmark across his trail in the dust and spitting in it. When a snake is killed around the home, it should be burned so there will be no further problems.

In Africa, bones from the spinal column of a snake were strung and worn like a belt to cure a backache. This is a great example of the concept of image magick or "like produces like." To gain real knowledge and skill in conjuring,  a person should eat the brains of a snake. One old gris gris formula consists of dried Jimson weed and a dried head of a snake powdered and blended well. It is said that this will produce blindness.

Snake parts were often used in bottle spells. A dried snake, either whole or just the head that is put into a bottle with nine nails and vinegar makes for a potent crossing spell. Multiple snakes placed in a bottle or jar and buried under the front step of an enemy is another crossing bottle spell. A dried snake, 9 dried spiders, and 9 roaches, a personal effect of an enemy, along with their foot track placed in a jar or bottle and the put under their front step is a powerful conjure.

Dreaming of snakes is a sign of enemies nearby.

According to Byron Ballard, the Village Witch of  Asheville,  North Carolina, "Black snakes are incredibly wonderful and you should always welcome them into your territory. That's number one. Up here in the southern (Appalachian) mountains, the snake is an omen (usually) of coming change that will be beneficial and is often a sign of the direct blessing of a Goddess."

Finally, an initiatory rite for being a powerful conjuror involves going out into the woods and laying on the ground, allowing snakes to crawl all over you, and looking at the snakes directly in the eyes. If one can do this without flinching, it is said the person is empowered with the power of the snake and is fit to be a conjuror.

The Sacred Serpent of New Orleans Voodoo

The snake's role in hoodoo and conjure is likely related to the important role of the serpent deity in African Voodoo and New Orleans Voodoo. Li Grande Zombi is the most important loa in the New Orleans Voodoo pantheon. The name of this loa is most commonly linked to the name of Marie Laveau's pet snake, a huge boa constrictor or royal python (ball python) who was worshipped at her New Orleans Voodoo rituals on Bayou St. John. Saint John’s Eve, which falls on June 23, is the day when the biggest Voodoo gatherings were held.

Li Grande Zombi  is the major serpent spirit of worship among New Orleans Voodooists. In New Orleans Voodoo, snakes are not seen as symbols of evil as in the story of Adam and Eve. Snakes are considered to be the holders of intuitive knowledge—knowing that which cannot be spoken. Women often dance with serpents to represent the spiritual balance between the genders. Voodoo rituals in New Orleans almost always include a snake dance to celebrate the link to the ancient knowledge. The origin of Li Grande Zombi can be traced to the serpent deity Nzambi from Whydah in Africa.

Another description of Li Grande Zombi is provided by Louis Martiné, priest, spiritual doctor and elder of the New Orleans Voodoo Spiritual Temple:

"The Grande Zombie is the Temple Snake, a defining element of New Orleans Voodoo and a loa of great stature. The Grande Zombie of New Orleans Voodoo is best not confused with the Zombie of Haitian Voodoo which has been described as a ritually animated corpse. The Temple Snake bears little physical or spiritual resemblance to such a being. The Grande Zombie can fill many roles and perform many ritual functions. In the context of this Order of Service the Temple Snake is the umbilical cord, the connection between the Mother and the child."[1]
 

[1]The Order of Service that Martiné refers to is a departure from the usual litany of Catholic prayers that opens a typical Voodoo Service. Catholicism was not a part of the original African religion, and so it is not always done this way by practitioners, particularly those for whom Catholicism doesn’t “fit.” The order of Service provided by Martine in the New Orleans Voodoo Spiritual Temple reflects an evolving and adaptable religion, one that reflects the Universal tradition that embraces faiths outside of the Catholic paradigm as part of the ceremonial process.

References

Alvarado, D. (in press). The Voodoo Hoodoo Spellbook. Weiser Books

Oral tradition, as told by Mama Rose of New Orleans, Sam Brown of Algiers, and my mother.

Puckett, N. N. (1926). Folk Beliefs of the Southern Negro. Chapel Hill: University of Carolina Press.

_____________________________________________

Find snake sheds and snake skin on our animal materia medica page.

black snake

GUDLO XLII. THE GIPSY AND THE SNAKE.

English Gipsies and Their Language

by Charles G. Leland

[1874]

 

If you more the first sappa you dicks, tute’ll more the first enemy you’ve got. That’s what ’em pens, but I don’t jin if it’s tácho or nettus. And yeckorus there was a werry wafro mush that was allers a-kairin’ wafri covvabens. An’ yeck divvus he dicked a sap in the wesh, an’ he prastered paller it with a bori churi adrée lester waster and chinned her sherro apré. An’ then he rākkered to his kokerus, “Now that I’ve mored the sap, I’ll lel the jivaben of my wenomest enemy.” And just as he penned dovo lav he delled his pirro atut the danyas of a rukk, an’ pet alay and chivved the churi adrée his bukko. An’ as he was beshin’ alay a-mullerin’ ’drée the weshes, he penned to his kokerus, “Āvali, I dicks kennā that dovo’s tacho what they pookers about morin’ a sappa; for I never had kek worser ennemis than I’ve been to mandy’s selfus, and what wells of morin’ innocen hanimals is kek kushtoben.”

TRANSLATION.

If you kill the first snake you see, you’ll kill the first (principal) enemy you have. That is what they say, but I don’t know whether it is true or not. And once there was a very bad man who was always doing bad deeds. And one day he saw a snake in the forest, and ran after it with a great knife in his hand and cut her head off. And then he said to himself, “Now that I’ve killed the snake, I’ll take the life of my most vindictive (literally, most venomous) enemy.” And just as he spoke that word he struck his foot against the roots of a tree, and fell down and drove the knife into his own body (liver or heart). And as he lay dying in the forests, he said to himself, “Yes, I see now that it is true what they told me as to killing a snake; for I never had any worse enemy than I have been to myself, and what comes of killing innocent animals is naught good.”

 
 

The Voodoo Hoodoo SpellbookWhat is New Orleans Voodoo

Hoodoo?

The term voodoo hoodoo is commonly used by Louisiana locals to describe our unique brand of New Orleans Creole Voodoo. It refers to a blending of religious and magickal elements. There is the tendency for many people to separate Voodoo the religion from hoodoo the magick. However, this separation did not occur in New Orleans as it did in other areas of the country. The so-called magick is part of the religion; the charms are medicine and spiritual tools that hold the inherent healing mechanisms of the traditional religion and culture. Voodoo in New Orleans is a way of life for those who believe. A fellow New Orleans native and contemporary gris gris man Dr. John explains it this way:

In New Orleans, in religion, as in food or race or music, you can’t separate nothing from nothing. Everything mingles each into the other – Catholic saint worship with gris gris spirits, evangelical tent meetings with spiritual church ceremonies – until nothing is purely itself but becomes part of one fonky gumbo. That is why it is important to understand that in New Orleans the idea of voodoo – or as we call it gris gris – is less a distinct religion than a way of life. (Rebennack & Rummel, 1994, p. 159).

From the Voodoo Hoodoo Spellbook (Revised edition) by Denise Alvarado

 

 

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