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The History and Uses of Incense

 

“Perfume and incense bring joy to the heart, and the pleasantness of one's friend springs from his earnest counsel”

 

 

The Bible states (Ex. 30:34), "God said to Moses: Take fragrances such as balsam, onycha, galbanum, and pure frankincense, all of the same weight, as well as other specified fragrances."

Incense is an aromatic substance which is obtained from certain resinous trees, often combined with essential oils, and largely employed for purposes of religious worship. The word is also used to signify the smoke or perfume arising from incense when burned. The term "incense" refers to the substance itself, rather than to the odor that it produces. It is used in religious ceremonies, ritual purification, aromatherapy, meditation, for creating a mood, masking bad odours, and in medicine.[2][3][4] The use of incense may have originated in Ancient Egypt, where the gums and resins of aromatic trees were imported from the Arabian and Somali coasts to be used in religious ceremonies.

In ancient times incense was furnished by two trees, viz. the Boswellia sacra of Arabia Felix, and the Boswellia papyrifera of India, both of which belong to the Terebinthian family. Mention is made of it in Numbers 7:14; Deuteronomy 33:10, etc. It was procured from the bark much as gum is obtained at present. To enhance the fragrance and produce a thicker smoke various foreign elements were added (cf. Josephus, "Bell. Jud.", V, 5). These ingredients generally numbered four, but sometimes as many as thirteen, and the task of blending them in due proportion was assigned under the Old-Law ordinances to particular families (Canticles 3:6).

The forms taken by incense have changed with advances in technology, differences in the underlying culture, and diversity in the reasons for burning it.[6] The two main types can generally be separated into "indirect burning" and "direct burning". Indirect burning incense, also called "non-combustible incense", requires a separate heat source since it is not capable of burning itself. Direct burning incense, also called "combustible incense", is lit directly by a flame and then fanned out, the glowing ember on the incense will smoulder and release fragrance. Examples of direct burning incense are incense sticks (joss sticks) and cones or pyramids.

The use of incense dates back to biblical times and may have originated in Egypt, where the gums and resins of aromatic trees were imported from the Arabian and Somali coasts to be used in religious ceremonies. It was also used by the Pharaohs, not only to counteract unpleasant odours, but also to drive away demons and gratify the presence of the gods, as they believed.[2]

The Babylonians used incense while offering prayers to divining oracles.[7] The Indus Civilization used incense burners.[8] Evidence suggests oils were used mainly for their aroma. Incense spread from there to Greece and Rome. Brought to Japan in the 6th century by Chinese Buddhist monks, who used the mystical aromas in their purification rites, the delicate scents of Koh (high-quality Japanese incense) became a source of amusement and entertainment with nobles in the Imperial Court during the Heian Era 200 years later.

During the 14th century Shogunate, samurai warriors would perfume their helmets and armor with incense to achieve an aura of invincibility. It wasn't until the Muromachi Era during the 15th and 16th century that incense appreciation (Kōdō) spread to the upper and middle classes of Japanese society.

Uses of Incense

Incense, being an article familiar to humanity since the dawn of civilization, has meant different things to the different peoples who have come to use it. Given the wide diversity of such peoples and their practices, it would be impossible to form an all-inclusive list of the ways in which incense has come to be used, since the methods and purposes of employment are as diverse and nuanced as those who have employed it.

Practical use of incense

Mosquito repellent used in

China, India, Canada, Korea,

and Japan are usually

manufactured in coil form

and burned in a similar

manner as incense

 

Incense fragrances can be of such great strength that they obscure other, less desirable odours. This utility led to the use of incense in funerary ceremonies because the incense could smother the scent of decay. Another example of this use, as well as of religious use is the Botafumeiro, which, according to tradition, was installed to hide the scent of the many tired, unwashed pilgrims huddled together in the Cathedral of Santiago de Compostela.

The regular burning of direct combustion incense has been used for chronological measurement in incense clocks. These devices can range from a simple trail of incense material calibrated to burn in a specific time period, to elaborate and ornate instruments with bells or gongs, designed to involve and captivate several of the senses.

Incense made from materials such as citronella can repel mosquitoes and other aggravating, distracting or pestilential insects. This use has been deployed in concert with religious uses by Zen Buddhists who claim that the incense that is part of their meditative practice is designed to keep bothersome insects from distracting the practitioner. Currently, more effective pyrethroid-based mosquito repellant incense is widely available in Asia.

Incense is also used often by people who smoke indoors, and do not want the scent to linger.

Aesthetic use of incense

Many people burn incense to appreciate its smell, without assigning any other specific significance to it, in the same way that the forgoing items can be produced or consumed solely for the contemplation or enjoyment of the refined sensory experience. This use is perhaps best exemplified in the kōdō (香道?), where (frequently costly) raw incense materials such as agarwood are appreciated in a formalized setting.

Religious use of incense

Incense burning at a temple in Taipei

Religious use of incense has its origins in antiquity. The burned incense may be intended as a sacrificial offering to various deity or to serve as an aid in prayer.Use of incense in religion is prevalent in many cultures and may have their roots in the practical and aesthetic uses considering that many religions with not much else in common all use incense. One common motif is incense as a form of sacrificial offering to a deity, for example, Chinese jingxiang (敬香 "offer incense [to ancestors/gods]).

Incense has been employed in the worship of the vast majority of Christian groups since antiquity, particularly in the Eastern Christian churches, the Roman Catholic Church, and some Anglican and Lutheran Churches. The practice is probably rooted in the earlier traditions of Judaism in the time of the Second Temple. The smoke of burning incense is interpreted by the Roman Catholic Church and Eastern Christian churches as a symbol of the prayer of the faithful rising to heaven.[1][2] This symbolism is seen in Psalm 141 (140), verse 2: "Let my prayer be directed as incense in thy sight: the lifting up of my hands, as evening sacrifice." It is often used after the manner of a purification ritual.

   
References

Morrisroe, P. (1910). Incense. In The Catholic Encyclopedia. New York: Robert Appleton Company. Retrieved December 25, 2006-2011 from New Advent: http://www.newadvent.org/cathen/07716a.htm

 

Voodoo Mama's Holy Incenses

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The Voodoo Hoodoo SpellbookWhat is New Orleans Voodoo Hoodoo?

The term voodoo hoodoo is commonly used by Louisiana locals to describe our unique brand of New Orleans Creole Voodoo. It refers to a blending of religious and magickal elements. There is the tendency for many people to separate Voodoo the religion from hoodoo the magick. However, this separation did not occur in New Orleans as it did in other areas of the country. The so-called magick is part of the religion; the charms are medicine and spiritual tools that hold the inherent healing mechanisms of the traditional religion and culture. Voodoo in New Orleans is a way of life for those who believe. A fellow New Orleans native and contemporary gris gris man Dr. John explains it this way:

In New Orleans, in religion, as in food or race or music, you can’t separate nothing from nothing. Everything mingles each into the other – Catholic saint worship with gris gris spirits, evangelical tent meetings with spiritual church ceremonies – until nothing is purely itself but becomes part of one fonky gumbo. That is why it is important to understand that in New Orleans the idea of voodoo – or as we call it gris gris – is less a distinct religion than a way of life. (Rebennack & Rummel, 1994, p. 159).

From the Voodoo Hoodoo Spellbook (Revised edition) by Denise Alvarado

 

 

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