Voodoo Music

Instruments

Discography

lyrics

Voodoo Music Glossary

Background

"If you want to learn how to make songs yourself, you take your guitar and your go to where the road crosses that way, where a crossroads is. Get there be sure to get there just a little ' fore 12 that night so you know you'll be there. You have your guitar and be playing a piece there by yourself…A big black man will walk up there and take your guitar and he'll tune it. And then he'll play a piece and hand it back to you. That's the way I learned to play anything I want."

Tommy Johnson

 

Instruments

   

 CasaPercussion Bamboo Voodoo Drum - Small

 CasaPercussion Bamboo Voodoo Drum - Medium

 CasaPercussion Bamboo Voodoo Drum - Large

Product Features

 

Tuneable Goatskin Head

Hand Carved Designs

5" head

 

Product Description


This "voodoo" drum is hand crafted in Indonesia from hollowed bamboo. It's an inexpensive way to add a musical touch to your decorating or, of course, pound out a tune. It is playable and tuneable and is great for those who love hand drums and ethnic art. Available in three sizes - get one today!

 

To view product details, including price and availability, place your cursor over the product title.

Discography

Angels In The Mirror: Vodou Music Of Haiti Produced by Holly Nicolas, Y.-M. David Yih, and Elizabeth McAlister for Ellipsis Arts. 1997. Book and CD 4120.

Caribbean Revels: Haitian Rara & Dominican Gaga Recordings by Verna Gillis, notes by Verna Gillis and Gage Averill. 1991. Smithsonian Folkways CD 40202.

The Drums of Vodou Featuring Frisner Augustin and La Troupe Makandal (cassette and CD). Recorded by The Place Recording Studios and Skunk Hollow Studio. Produced by White Cliffs Media Company. 1992 (cassette), 1994 (CD 9338).

Erzili. Featuring La Troupe Makandal with Master Drummer Frisner Augustin. Recorded by Harry Leroy. CD produced by La Troupe Makandal. 2003.

Music of Haiti, Vols. I-III (Folk Music of Haiti / Drums of Haiti / Songs and Dances of Haiti). Recordings and notes by Harold Courlander. 1952. Smithsonian Folkways 4403/4407/4432.

The Rough Guide to the Music of Haiti. Various Artists - International - Caribbean & Cuba. 2002. World Music Network. B00005QXJT.

Kalfou Danjere. 1992. Mango. B000003QL3.

 The Yoruba/Dahomean Collection: Orishas Across the Ocean  Various artists.1998. Rykodisc, B00000DGYG.

Vodou Adjae. Boukman Eksperyans. 1991. Mango,B000003QKI.

Puritan Vodou.  Ram. 1997. Ils/Polygram Group, DB000003RCB.

 Vodou: Ritual Possession Of The Dead Various Artists - International - Caribbean & Cuba. 1997. Interra, B000003ZOS.

Rhythms of Rapture: Sacred Musics of Haitian VodouVarious ritual specialists and popular artists. 1995. Smithsonian Folkways CD 40464.

Drum Rhythms of Haiti Cuba Brazil: The Singing Gods Katherine Dunham. 2005. Caney Records Sp., B0006A5P4U.

Music of Voodoo Cult Pierre Chariz. 1999. Buda Musique, B00000JT3Z.

Save My Soul Big Bad Voodoo Daddy. 2003. Vanguard RecordsB00009YRSB

Voodoo The Dirty Dozen Brass Band.1987. Sony, B0000026RK.

Right Place, Right Time: Live at Tipitina's. Dr. John. 2006. HYENA Records, B000EHQ7M4.

The Very Best Of Dr. John, Dr.John. 1995. Elektra / Wea, B0000033IE.

Studio Voodoo. Studio Voodoo. 2001. B00005MGBQ.

Lyrics

Voodoo Doll

Black Eyed Peas

Composição: Indisponível

The devil comes and I try to stall and
Soon my subconscious and conscious might start to brawl
And I put up my walls
And they begin to fall
As this cunning demon takes me as it voodoo doll
Darkness sets in as the horns start to grow
Suddenly I become somebody I dont know

[Chorus]
Whoa-what do I do?
Ooh ooh ooh oh
This body’s temple of doom
Whoa-what can I say?
To-ohh-ohh oh make all of this go away
I got many different names, but 2u it’s all the same
I be the crawlin in your skin, I be the reason 4 your sin
I be the cunning in your charm, and I be the needle in your arm
Call me once might let you got, call me twice and then IM gonna get ya

Mind playin tricks on me
Im paranoid, homie
Nobody know what Im going through
God, I’m so lonely
I know I’m loosin it
I’m hearing..wispering
Somebody’s watching me, clockin me, hear my heart tickin’
Worshiping 2gods can get you in deep
Crystal ball show you things you’re not supposed to see

[Chorus]
Whoa-what do I do?
Ooh ooh ooh oh
This body’s temple of doom
Whoa-what can I say?
To-ohh-ohh oh make all of this go away
I got many different names, but 2u it’s all the same
I be the crawlin in your skin, I be the reason 4 your sin
I be the cunning in your charm, and I be the needle in your arm
Call me once might let you got, call me twice and then IM gonna get ya

You know I’m comin for ya, u know Im gonna get ya

 

More lyrics comin' soon...

Voodoo Music Glossary

Black Cat Bone - A mystical charm that is actually a bone from a black cat that has been ritually processed. Carried for good luck.

Blues - Musical form that came from rural African-American experience. Using flatted and bending notes in the common music scale, an ultra-emotional sound developed.

Boogie-Woogie - A Blues style most associated with the piano. From the ragtime and stride piano traditions of New Orleans and Kansas City, it evolved into a very Texas musical form.

Bourbon Street - Traditional party street in New Orleans, Louisiana. Famed for music and decadence.

Dust My Broom - Break up with a lover. Start an new life by cleaning out the old.

Griot - A griot is a West African performer who perpetuates the oral traditions of a family, village, or leader by singing histories and tales. Griots typically perform alone, accompanying themselves on a stringed instrument, and are considered by many musicologists a critical African root of the solo acoustic blues that developed among African American communities during the early 20th century. (1)

Gris-Gris - A magical spell or voodoo technique.

Hands - A collection of voodoo charms worn or carried for protection and luck.

Harp - A harmonica. Also known as the Georgia Saxophone.

HooDoo - A mix of African spirituality, Voodoo, and Christianity. Folk magic of the rural South.

Hoochie Coochie Man - A slang term referring to both a type of suggestive dance, as well a class of conjurer or folk doctor in the voodoo tradition. In the Willie Dixon song "Hoochie Coochie Man," made famous by Muddy Waters, the latter is the definition being used. However, the sexual suggestiveness of the song itself has led to an expanded definition, in which the hoochie coochie man is someone with sexual prowess and appeal as powerful as the magic of a voodoo conjurer. (1)

JellyRoll - A metaphor for the female genitalia.

Jinx - The bearer of bad luck. A mojo hand would be worn for protection from a jinx.

Johnny Conqueroo - A woody tuber related to the sweet potato used in a mojo hand.

Juju - African musical genre and another term for a mojo hand.

Laissez les bon temps rouler - Popular Cajun phrase in New Orleans that means "Let the good times roll." (3)

Mojo - A magical spell or item. Someone could put some bad mojo on you or you could carry a mojo hand to ward off these evil intents.

Root Doctor - Person versed in magical cures from plants.

Voodoo Jazz - 

Fusion of the Haitian meringue with traditional voudou songs. Developed in '40s and '50s. Becoming popular again. (2)

Yea You Right - New Orleans' answer to every question.

Zydeco - Cajun dance music that is a combination of traditional Cajun music, rhythm and blues, and African blues.(3)

References

(1)  Blues Glossary: http://www.pbs.org/theblues/classroom/glossary.html

(2)  Afropop Worldwide: www.afropop.org

(3)  American Library Association Cajun Glossary: http://www.ala.org/ala/nmrt/comm/cajunglossary.htm

Background

What are these songs, and
What do they mean? I know
little of music and can say
nothing in technical phrase,
but I know of something of
men, and knowing them, I
know that these songs are the
articulate message of the
slave to the world.

W.E.B. DuBois

 

Many popular songs of the Delta Blues tradition (circa 1900 to 1941) referenced voodoo or its derivative Hoodoo explicitly. Robert Johnson sang of "hot foot powder sprinkled all round my door" and Muddy Water(s) referenced "the gypsy woman", "seventh son", and the "mojo hand". Although Voodoo is often associated with Satanism, Satan is purely an Abrahamic belief and has not been incorporated in Voodoo tradition. When Mississippi Delta folksongs mix references to Voodoo and to Satan, what is being expressed is social pain such as from racism, which is couched in Christian terms and blamed on the devil. Those who practice voodoo do not worship or invoke the blessings of a devil.(http://en.wikipedia.org/wiki/Voodoo)

 

Did Robert Johnson sell his soul at the crossroads?

Recommended Reading

Religious Music: The African Roots  http://northbysouth.kenyon.edu/1998/music/religion/religion.htm

 Haiti Singing (Library of Latin-American History and Culture) by Harold Courlander. 

THE DRUM AND THE HOE: LIFE AND LORE OF THE HAITIAN PEOPLE by Harold Courlander.

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